The most recent Gateways Music Festival took place in April 2022 in both Rochester and New York City and featured seven days of performances, panel discussions, lectures, film showings and more before a live audience of nearly 7,000 and a live radio audience of more than 100,000. At least that's the case with her first, third, and fourth symphony. 3. Here are your tickets. For details on event times, prices,and locations, call 232-6106 or visit gatewaysmusicfestival.org. This April, the Gateways Music Festival Orchestra, comprised entirely of classical musicians of African descent, presents events around NYC, culminating with its eagerly anticipated Carnegie Hall debut on April 24. Gateways musicians let their hair down in a fun, club-like environment and perform pop, R&B, Jazz, gospel, reggae and everything in between! General Admission. We don't actually have a complete score for the second. Jeff: Jon Batiste once at the center stage. It was a historic concert when the Gateways Music Festival Orchestra performed in Carnegie Hall.It's an ensemble made up entirely of classical musicians of African descent, from orchestras around the country. People come to, I think, to concerts halls, not only to hear music but also to be affirmed culturally in their selves. New York Public Radio transcripts are created on a rush deadline, often by contractors. Alex: Yes. This program has an almost built-in encore, which is a work by James V. Cockerham Fantasia on, Conductor Anthony Parnther goes on stage, to conduct the final work on this program, the Fantasia on. We talked on Friday with Lee Koonce, the festival's president, and artistic director about exactly who it was, who started this whole Gateways thing, and what her vision has led to. It's thought to be an old Pilgrim chant known as, , but under any name, a virtuoso showpiece for the orchestra. The Gateways Music Festival opens Nov. 9 -13. Jeff: Congratulations to you, Anthony Parnther, and to the Gateways Music Festival at an amazing week in New York in an amazing combination of this concert. We talked on Friday with Lee Koonce, the festival's president, and artistic director about exactly who it was, who started this whole Gateways thing, and what her vision has led to. It is his heart. The Gateways Music Festival is getting a substantial grant to continue its mission of supporting classical musicians of African descent. John Schaefer's here as well. Over the course of each six-day festival, the musicians give a full orchestral . For the first time, the Rochester based Gateways Music Festival orchestra got to perform at the famed concert hall in New York City Gateways was created nearly 30 years ago to support classical. Now, Batiste on his feet, really not moving away from the piano, receiving the applause from this audience and passing it on to all the members of the Gateways Music Festival Orchestra, and a deep bow from everyone on the stage. Gateways Music Festival was founded in 1993 by Armenta Adams Hummings Dumisani in Winston-Salem, North Carolina. I can play rap. 2023 New York Public Radio From August 6 through 11, 2019, 125 professional classical musicians of African descent are invited to Rochester, NY from across the . We exist outside of space, time or this place." Media Only: Dolores Orman, Gateways Music Festival, 585-271-5185, dolores.orman@gmail.com Founded in 1993 by pianist and music professor Armenta Adams Hummings Dumisa, the Gateways Music Orchestra was cultivated to connect Black musicians with a shared passion for classical. The Gateways Music Festival Orchestra, making their debut today, taking their place alongside the Clef Club Orchestra and a lot of other great African American musicians in the illustrious history of Carnegie Hall. Adults: $15 | Seniors and Students: $10 | Children/Youth (Under 18): Free, Film ScreeningCaged Bird: The Life and Music of Florence B. Also, sometimes I think we've used it to absolve ourselves as an art form from the issues of the day. He's also just won an Oscar-. John: Well, Jon Batiste had a little church meeting going when he was reading his poem before the premiere of "I can.". Exactly. Not heard in this place until just now by the Gateways Music Festival Orchestra. I can play gospel. Those 5 Grammy Award wins came on the heels of 11 Grammy nominations an almost unheard-of hall for one artist, including a nomination in the best classical composition category. I'd love to see this orchestra personally go on tour so that audiences outside of New York State have the privilege of witnessing the power and beauty of such a special ensemble. He's having so many moments at one time, yes. George Walker composed it in 2003. Gateways Music Festival is thrilled to announce that renowned Hollywood and symphony orchestra conductor Anthony Parnther will lead the Gateways Orchestra for its concerts in Rochester, NY and New York City, including the Orchestra's Carnegie Hall debut! Join Terrance McKnight of New York Citys classical music station WQXR for an engaging conversation with Lee Koonce (president & artistic director of Gateways Music Festival), Ann Hobson Pilot (retired principal harp, Boston Symphony) and Titus Underwood (principal oboe, Nashville Symphony Orchestra). I asked him what was it like to be at Carnegie Hall. When Gateways musicians walk out on stage, a new line of inquiry a new conversation is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. The film screening and lecture are both free and open to the public, but tickets are required. Gateways Music Festival is grateful to the following institutions, foundations and governmental agencies for their generous support of the 2022 Gateways Music Festival. Sure. Anthony Parnther | Photo by Konstantin Golovchinsky. 3 in C Minor and James V. Cockerhams Fantasia on Lift Every Voice and Sing. Jeff: From Carnegie Hall Live, the world premiere of I Can, composed by Jon Batiste and performed by him at piano and the Gateways Music Festival Orchestra, making its Carnegie Hall debut in this concert under the direction of conductor Anthony Parnther. Jeff: Lauren Purcell Joiner, Christine Herskovits, Eileen Delahunty, and Max Fine. Gateways Radio features exceptional compositions and . Jon: In the spirit of sharing a little of the backstory behind this piece, I want to share a poem that I wrote. It takes active participation to do that. Tags: diversity, Eastman School of Music, Gateways Music Festival, performing arts, The Gateways Music Festival Orchestra made its Carnegie Hall debut on Sunday afternoon, April 24, with conductor Anthony Parnther (far right) and Grammy Award-winning pianist Jon Batiste (in gold). Because of limited seating capacity in the Bruno Walter Auditorium, we urge you to get your tickets as soon as possible. Our mentor's other vision was that the Black community in particular, all communities but the Black community needs to see people of African descent up on the stage playing this music and it's about representation. This is Carnegie Hall Live, I'm Jeff Spurgeon joined by my colleague, John Schaefer. Brahms: Haydn Variations George Walker: Sinfonia No. The Walker in its own way is a set of variations as well. As you know, you're moving an orchestra or a music festival across a giant state like this is a big effort. 3 in C Minor and Sinfonia No. Jon Batiste & the Gateways Festival Orchestra. That'll be the next work on the program. I should have asked you that before this began, but I'll lay it on you anyway. A terrific program today bookended by two sets of variations. Also, sometimes I think we've used it to absolve ourselves as an art form from the issues of the day. Jeff: The Gateways Music Festival Orchestra from Carnegie Hall Live. The Gateways Music Festival Orchestra made its Carnegie Hall debut Sunday, April 24, the final day of the weeklong Gateways Music Festival in association with the University of Rochesters Eastman School of Music. Lee Koonce: Armenta Hummings Dumisani, I think the term force of nature was created for her. . . Another curtain call for Conductor Anthony Parnther. Instead of a minuet or scherzo with trio you got a Juba. Enjoy the rest of your brief intermission. She climbed Mount Kilimanjaro five years ago. Celebrating over two decades of music making, the Grammy-nominated Imani Winds has led a revolution and evolution of the wind quintet that inspires audiences of all ages and backgrounds. She is deeply grateful for the many . Now we're so pleased to welcome to the Carnegie Hall microphones, Maestro Anthony Parnther. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing young professionals from across the country together with established musicians from leading orchestras to perform and inspire communities through the power of music. I'd love to see this orchestra personally go on tour so that audiences outside of New York State have the privilege of witnessing the power and beauty of such a special ensemble. 3; Florence B. Prices Symphony No. Proof of vaccination is required to enter Carnegie Hall and masks must be worn inside at all times. I would love to see this orchestra record especially literature that has been under-recorded or not recorded at all by underrepresented composers. Gateway Festival Orchestra BRINGING FREE CONCERTS TO THE ST. LOUIS COMMUNITY SINCE 1964 Announcing our 2023 season Save the dates. Press Room. is a work for piano and orchestra called. That type of dance and the music that accompanied it was so important that Florence Price actually gave that name, Juba, to the third movement of all of her symphonies. Of course, personally, I would love to see this orchestra come together more frequently. Now, you, as a very busy conductor on sound stages in Hollywood, are accustomed to looking at a score and getting the musicians all organized and playing it. John: For his album, We Are. Anthony: I just feel that as musicians, our first responsibility is to come together and create beauty. We'll hear her Symphony No.3, one of more than 300 compositions of hers, symphonies, concerto, chamber music, and choral music, most of which were lost for decades. Gateways is receiving an $800,000 award from the. We'll hear her Symphony No.3, one of more than 300 compositions of hers, symphonies, concerto, chamber music, and choral music, most of which were lost for decades. , composed by Jon Batiste and performed by him at piano and the Gateways Music Festival Orchestra, making its Carnegie Hall debut in this concert under the direction of conductor Anthony Parnther. It seems like there was a real intention behind the planning of this program today. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. In May of 1912 at Carnegie Hall, where the stage welcomed a large ensemble of African American musicians, the Clef Club Symphony Orchestra. Anthony Parnther, conductorAntoine T. Clark, assistant conductor, VIOLIN I Kelly Hall-Tompkins, concertmaster Cleveland A. Chandler Daniel Constant Caitlin Edwards Mellasenah Edwards Brendon Elliott Alex Gonzalez Mariana Green-Hill Marianne Henry Ashley Horne Amyr Joyner Kyle Lombard Jessica R. McJunkins Chelsea Sharpe Lionel Thomas Anyango Yarbo-Davenport, VIOLIN II Derek Reeves, principal Lucinda Ali-Landing Charlene Bishop Jeffrey Boga Dale Breidenthal David Burnett Nicole Cherry Frdrique Gnaman Bennie Harris Joshua Henderson Sarah E. Martin Phillip Payton Meredith Riley Booker Rowe, VIOLAJennifer Arnold, principalLeslie DeShazorAndrew FrancoisAshleigh GordonLinda GreenChristopher JenkinsCaroline JonesJaven LaraDeidra LawrenceAundrey MitchellYvonne SmithGeorge Taylor, CELLO Troy Stuart, principal Ifetayo Ali-Landing Cremaine Booker Eric Cooper Gordon Grubbs Joseph Hbert Timothy Holley Thapelo Masita Prudence McDaniel Derek Menchan James Ryan Murphy Wayne Smith, DOUBLE BASS Rick Robinson, principal William Johnson Kevin Mauldin Anthony Morris Jacqueline Pickett Patricia Silva Weitzel, FLUTE Judith Dines, principal Dennis Carter Jacqueline Cordova-Arrington Patricia Reeves, OBOE Titus Underwood, principal Hassan Anderson Sarrah Bushara Geoffrey Johnson, CLARINET Alexander Laing, principal Pamela Coats Robert Davis LeTriel White, BASSOONJoshua Elmore, principalAlexander DavisKai RockeMaya Stone, FRENCH HORN Larry Williams, principal David Dickerson Adedeji Ogunfolu Priscilla Rheinhart Jeffrey Scott, TRUMPET Herbert Smith, principal Javian Brabham Leonard Foy Courtney Jones, TROMBONE Burt Mason, principal Isrea Butler Timothy Robinson Martin McCain (Bass), PERCUSSION Ralph Barrett, principal Jauvon Gilliam Cleo Goldberg Don Johns Terry McKinney. Only one ticket is required for both the film screening and the lecture. Jeff: Now, all the orchestra on its feet and with Maestro Parnther bow to this Carnegie audience this afternoon. General Admission. Jeff: That feels like the two-fold idea of Gateways too. The members of the Gateways Orchestra are heading back out on stage at Carnegie Hall. I think it is very much Jon. Search sc.edu. He . 230 were here. Michael Morgan, our late and beloved music director called Gateways family reunion with instruments and it feels just like that. Alex: Well, I think that's another thing we're saying about what do we think can and should happen in a concert that would be called classical and where is this music coming from and who are our composers. It takes active participation to do that. Music Director The Gateway Festival Orchestra of St. Louis Home Music Director Darwin Aquino, Music Director Darwin Aquino joined the Gateway Festival Orchestra as Music Director in 2019. A critically acclaimed series . Aug 3 2019. Enjoy the rest of your brief intermission. It's our national anthem. Jones and Johns are current musicians in the Gateways Music Festival orchestra and its members recorded themselves at home for WQXR to put together for a virtual from-home performance. Recent performances include Los Angeles; Washington D.C.; Toronto; Danbury, Connecticut; and an eight-concert Midwest tour. Thank you, gentlemen. One of which is to support musicians of African descent who are isolated even in the ensembles in which they play as happens in other kinds of workplaces in the world, but also looking out at, as you said, the audience members who haven't found that Carnegie Hall is for them as well. John: This program has an almost built-in encore, which is a work by James V. Cockerham Fantasia on Lift Every Voice and Sing. I think the possibility of spontaneity is what makes this particular live performance so deeply engaging and organic for everybody involved including the audience. That's a big step for us as well. What's the potential of this orchestra? Lee: I think it is very much Jon. This is really, I think what Gateways does for us, in addition to bringing us together to make a joyful noise, in addition to bringing together a community that is often geographically separate but spiritually connected, it allows for an intellectual exchange that is captivating to us and we're finding to others as well. Now, we spoke with Lee Koonce, who is the president and artistic director of the Gateways Music Festival, whom we had a chance just to say what Jon Batiste's piece that he had heard, and what we could expect. Anthony: There was an assembly of musicians and people here within the organization that very carefully crafted this program along with Michael Morgan. We don't actually have a complete score for the second. I love the way this harkens back to the days of Mozart and Beethoven, who would also write works that contained a great deal of written music finished for the players but also places for them to improvise. Alex: Not since the start, but since 2001. It would come up. For a complete listing of Gateways events, repertoire and artists plus ticket purchase information, visit the Gateways web site at: www.gatewaysmusicfestival.org. [applause]. She created Gateways. John: Can you distinguish for us the difference between the festival proper and the festival orchestra? Since 1995, Gateways Music Festival has brought together professional classical musicians of African descent in Rochester, NY to both celebrate the contributions and increase the visibility of. Gateways Music Festival Orchestra was founded in 1993 by prominent pianist and educator Armenta Adams Dumisani. The Gateways Music Festival Orchestra, making their debut today, taking their place alongside the Clef Club Orchestra and a lot of other great African American musicians in the illustrious history of Carnegie Hall. Carnegie Hall Presents Across the Stars: The Music of John Williams . Jon Batiste in addition to being a pianist is also a Perspectives Artist here at Carnegie Hall. There are parts that are written out, and then, there are parts that he will improvise. It's thought to be an old Pilgrim chant known as Saint Anthony's Chorale, but under any name, a virtuoso showpiece for the orchestra. 3 Batiste: I Can (world premiere) Florence Price: Symphony No. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. World premiere, so a song and a kind of sweet for piano into orchestra all in one extraordinarily well-received performance here on the main stage at Carnegie Hall. Alex: Sure. From Carnegie Hall Live, the Symphony No. It was 110 years ago. His live orchestral concert appearances for e-sports titan League of Legends in Barcelona, Beijing, Seoul, and Los Angeles are among the most widely viewed symphonic concerts in the world, with live audiences of 50,000-75,000 spectators and a viewership that outpaces the World Series with approximately 100 million live streaming each League of Legends Finals Opening Ceremony concert. This is the intermission of this concert, the Gateways Music Festival Orchestra. The festival originated in Winston-Salem and then moved with our founder, Armenta Hummings Dumisani to Eastman where she was on faculty. The orchestra comes together and you just dig into the music. That was cemented well before I became involved. Maestro Anthony Parnther dari "Star Wars" dalam debut Carnegie Hall bersama All Orchestra. What else is Gateways beyond this? The mission of Gateways Music Festival is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance. This place for musicians is key and essential and critical to the mission because most of our players work in environments where there are very, very, very few people, if any, who look like them. About Eastman School of Music. In no time he charmed us with his wit and delighted us with his energetic performances. 56a; George Walkers Sinfonia No. She's never taken medication. 560 Music Center. I think that them being together, there's something that happens to the air when they're all together because it is such an experience for them to be together and then to play great music at a high level, it's extraordinary. This work that Jon Batiste is going to perform with the Gateways Music Festival Orchestra has that same kind of structure. BRUNO WALTER AUDITORIUMNEW YORK LIBRARY FORTHE PERFORMING ARTSLincoln Center111 Amsterdam AvenueNew York, NY. It can also serve as a beard or it can veil other, I think, less inclusive narratives. General admission. It's wonderful to have you here. , the Pixar film, and has also just won five Grammys, including Record of the Year at the most recent Grammy Awards just a few weeks ago. Price, Corey Hunter, PhDGeneral admission. Event unsuitable for children. We know that it is, and that's what we're doing. Gateways is an all-Black classical symphony orchestra created in 1993 by concert pianist and educator Armenta Adams (Hummings) Dumisani. This is a guy, Jeff, who is having a moment. to conclude and in between, four works by four composers of African descent that even if they weren't world premieres like Jon Batiste's work, were the first time they were being heard on the Carnegie Hall stage. Congratulations. It is his voice. If you can see it, you can be it, is the expression. The orchestra just rehearsed his new piece for the first time on Thursday, it's called I can. Gateways Music Festival Orchestra 2023 tour dates. You'll find lots of stuff on the wqxr.org website that Kelly was involved with during her time with the APL. I want to come back to Jeff's first question to you, which was about the significance of being here. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. Take care. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. John: A drum kit as well will be called for in this next piece by Jon Batiste, who is a Perspectives artist here at Carnegie Hall, which means he gets to oversee a whole series of events during this 2021-22 season. We're delighted to welcome to the Carnegie Hall microphones, Alex Laing, who is the principal clarinet of the Gateways Music Festival Orchestra, and also with the Phoenix Symphony, and is an educator and a speaker around the country. Visit our website. 3; Florence B. Prices Symphony No. GATEWAYS MUSIC FESTIVAL ORCHESTRAMichael Morgan, ConductorKodak Hall at Eastman Theatre60 Gibbs StreetSunday, August 1816, 201320154:00 p.m.Master of Ceremon. GATEWAY FESTIVAL ORCHESTRA. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. Behind the planning of this program along with michael Morgan, ConductorKodak Hall at Theatre60... 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